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Photo Haiku Wednesday 4.14.10

Michelle Pendergrass

Photo courtesy of Sheena Tatum.

Directions:

1. Write a haiku inspired by the photo and post it in the comments.

For extra chances to win:

2. Follow @reliefjournal on Twitter

3. Follow @Quo Vadis on Twitter

4. Twitter @reliefjournal with your haiku and #PHW (Photo Haiku Wednesday)

* * *

The good people over at Quo Vadis have generously donated some prizes!!

The weekly winner will receive a Quo Vadis Habana Journal and a bottle of J. Herbin ink!!

Every week Relief will choose a random winner! So play along and tell your friends. See the information below for extra chances to win.

* * *

Winner will be announced via Twitter Thursday afternoons.

We can only ship to U.S. addresses right now.

You may only win once every three months, but you may play along every week for Twitter Super Bonus Points.

* * *

Would you like to have your photo featured on Photo Haiku Wednesday?

Email your photos to Michelle: photohaiku@reliefjournal.com

You'll get a photo credit link here on the main blog and you'll also be entered in the drawing for the Quo Vadis Habana journal and bottle of J. Herbin ink the week your photo appears on the blog!

Relief News Tuesday 4.13.2010

Ian David Philpot

The Fury before the Festival

Last weeks news was all about us preparing for Calvin, and that's what we're still doing 48 hours before the 2010's Festival of Faith and Writing begins!  No worries though.  God has been taking care of us.

For those of you who will be at the festival, we can't wait to see you!  Beyond that, we can't wait to show you what we've got in store!

Teaser Alert: Michelle Pendergrass went overboard on the movie theme for our booth. It. Will. Be. Awesome!

For those of you who can't make it, you won't be missing out!  We'll have pictures going up on the blog and on Facebook Thursday-Saturday, along with some video recaps every night that will feature the staff and any Relief/Diner published authors that stop by.  Since we will be connected to both the website, Facebook, and Twitter all day, don't hesitate to ask any burning questions that you might have for us.  We really want you all to share in the festival fun.

4.1 Cover

Though Relief has always been blessed with great content from great writers, we have also been blessed with connections to great artists who create fantastic covers for our content to be bound within.

This issue is no exception.

Our anticipated cover art will officially show up on the blog in the next couple weeks, but we are sure that you will be able to see it in many of the pictures that will be taken at Calvin, so keep your eyes open for it!

Reality TV Wasteland?: I Beg to Differ

Stephen Swanson

Stephen Swanson looks to reality TV to establish his new philosophies and contents of education.  He is very glad that Lent is over, as snark abounds in this columnStephen and Henry.

Recently, as I tried to convince the IT department why I needed "Hulu" and a couple other television-streaming websites unblocked, I was surprised to learn that not everyone innately sees the educational importance of contemporary reality television.

Who has not learned something from reality television?  I could found a whole school curriculum drawing from reality TV.

A Catalog- a brief selection

Survival 101: encourages students to challenge themselves through personal and physical challenges of deprivation and competition, while including discussions of ethics.  Section topics will also include Biting Fauna, Things You Might Be Surprised You'll Eat For Money, Things You'd Be Surprised That You'd Do For Something to Eat, and a brief discussion of history/anthropology.

Fitness and Weight Loss 220: strives to show students ways to adapt cultural standards of health and beauty on individual levels, rather than addressing the deeper, institutional, economic and cultural aspects of society that result in the definitions or extent of the problems. Methods will include strict dieting, large quantities of exercise and shame, as well as peer pressure.  Plastic surgery might be covered, time and need permitting, especially for female students.  The course will not emphasize long-term health or effects that are not visible or measurable, preferably on big screens and numbers in front of others.

New for Fall: ALL students must have liability waivers signed and notarized before any activities or surgeries begin.

Apprenticing in Business, Finance, and Other Competitive Industries 480: Students will examine ways to work as groups as part of a corporate environment, including introductions to basic business, marketing, and publicity concepts and exercises.  Additionally, students will be expected to become versed in the privileges and ethical laxity that their desired career owe them as a mark of their success.  A short thematic unit will cover staging "performances" that display corporate goodwill through a short period of working in a lower class job or the destruction and rebuilding of a needy person's house, regardless of the effects on their costs and abilities to retain the house in the future.

*Note: The quality of this class depends highly on the quality of participants.  So, come ready to learn.

Spring & Summer Interims in New Jersey, New York, Miami, Chicago, Cancun, as well as many road trips and tours will be offered to all students.  These courses emphasize interdisciplinary learning that test and encourage the development of problem solving, setting and keeping goals, travel planning, time management, and relational communication.

*Note: Additional, specialized interims will be offered on specific subjects as follows: "The Effects of Steroids", "Alcohol & Other Mood Altering Substances",  and "Inter-gender Non-verbal Communication" (Same-Gender N-V Comm. is offered when interest dictates).

*Additional Note: "Sitting in Cafes/Clubs, Awkward Silences, Staring, & Flesh-colored Beards"  will not be offered after this year, and all students must attend the "Social Diseases" workshops before and after their trips.

***

Stephen Swanson teaches as an assistant professor of English at McLennan Community College. Aside from guiding students through the pitfalls of college writing and literature, he spends most of his time trying to remain  aware of popular culture, cooking, and enjoying time with his wife and son. He holds degrees in Communications (Calvin College), Film Studies (Central Michigan University), and Media and American Culture Studies (Bowling Green State University. In addition to editing a collection, Battleground States: Scholarship in Contemporary America, he has forthcoming projects on Johnny Cash and depiction of ethics in detective narratives.

Photo Haiku Wednesday 4.7.10

Michelle Pendergrass

Photo courtesy of Jaymi Spencer Photography.

Directions:

1. Write a haiku inspired by the photo and post it in the comments.

For extra chances to win:

2. Follow @reliefjournal on Twitter

3. Follow @Quo Vadis on Twitter

4. Twitter @reliefjournal with your haiku and #PHW (Photo Haiku Wednesday)

* * *

The good people over at Quo Vadis have generously donated some prizes!!

The weekly winner will receive a Quo Vadis Habana Journal and a bottle of J. Herbin ink!!

Every week Relief will choose a random winner! So play along and tell your friends. See the information below for extra chances to win.

* * *

Winner will be announced via Twitter Thursday afternoons.

We can only ship to U.S. addresses right now.

You may only win once every three months, but you may play along every week for Twitter Super Bonus Points.

* * *

Would you like to have your photo featured on Photo Haiku Wednesday?

Email your photos to Michelle: photohaiku@reliefjournal.com

You'll get a photo credit link here on the main blog and you'll also be entered in the drawing for the Quo Vadis Habana journal and bottle of J. Herbin ink the week your photo appears on the blog!

Relief News Tuesday 4.6.2010

Ian David Philpot

Calvin -- A week and a half away

Our hotel rooms are booked, rides coordinated, and we're e-mail wrestling to settle who gets to see what panel at what time. The entire ccPublishing/Relief staff is anxious to get into Grand Rapids, MI next Wednesday to set up for Calvin College's Festival of Faith and Writing. So it's probably about time we introduce our theme...

Calvin - At the movies!

So, it's probably not a surprise since you've seen our adjusted logo for a week new, but it's about to get a lot more interesting!

At Calvin, we will be introducing the cover of issue 4.1 as "Coming Soon" posters.  We will also have business cards that look like movie tickets that will double as raffle tickets.  We will be raffling two gift baskets a day that will have a copy of the journal, a 2 liter of soda, a bag of popcorn, a box of candy, and a couple of notebooks from our amazing sponsor (Quo Vadis).

Calvin - On the blog

For those of you who cannot make it to Calvin this year, you don't have to miss out on the experience.  Next Wednesday--Saturday, we will be uploading pictures and videos of what's going on at the conference.  This will include pictures of the new cover, staff, and published authors who stop by our booth.  (We are even looking into streaming the Relief/Diner panel. No promises yet.)

Calvin - A social media frenzy

For the conference, we will be tweeting from @ReliefJournal as much as possible, but don't forget to catch tweets from ccPublshing President and Diner Editor Michelle Pendergrass (@michpendergrass), Relief Editor-in-Chief and Fiction Editor Christopher Fisher (@ReliefEditor), Poetry Editor Brad Fruhauff (@BradFruhauff), founding President and Editor Kimberly Culbertson (@KimCulbertson), and Web Editor Ian Philpot (@iphilpot).

We will also be using mobile uploads to send exclusive pictures directly to our Facebook page.

So friend us, follow us, and don't miss out!

When We All Become Zombies, What a Day of Rejoicing That Will Be...

Christopher Fisher

I imagine (and hope) most of you spent your Easter Sunday relaxing after church with bellies full of ham and mashed potatoes, followed by sporadic nibbles of chocolate, of course. I, however, had to work. In preparation for a much anticipated move to Virginia this summer, we're planning to list our house sometime this week in the floundering real estate market. So we're up to our eyebrows in last minute projects, cleaning, spot painting, etc. I didn't  have time to get online yesterday, so I'm just now getting caught up with all the online Easter well-wishes. But there's a lot of something else I missed out on yesterday--though I can't say I minded missing it--something I guess would be the opposite of Easter greetings.

Now, I understand that not everyone shares my belief, and I don't expect them to. I can see how the idea of a bodily resurrection from death can sound ridiculous. In all honesty, there are times I question it myself, as any rational human being would. I also am aware that we live in a time and culture where animus toward religion--particularly the "establishment" religion of Christianity--is very much in vogue. But I don't know whether to laugh or rant at the new buzz word many of my non-Christian friends and colleagues are applying to all things Easter.

An old, old story, how a zombie came from glory...

If I have before heard the word zombie used to describe the risen Christ, I don't recall it. But today the word seems to be everywhere. One versed in Christian tradition might at first think that anyone who draws such a comparison must have a less than rudimentary understanding of our faith. But to compare Christ's resurrection to Night of the Living Dead is more than an innocent misunderstanding of Christian doctrine.  It is an accusation. It is a pointing finger that says, "see the fool and all his silly, foolish ways!" (Incidentally, this is also a typical Reducto ad ridiculum/straw man fallacy: a mind-numbed, brain-eating zombie makes an easy target to tear down, but anyone who is half-way familiar with both zombies and the account of the risen Christ must admit that--even taking both characters as fiction--they are not the same. Not even close. It's like comparing Prometheus to Spongebob. Apples to maggots.)

I don't worship a zombie. I don't know anyone who does. Unless you count the throngs of George Romero fans, which collectively do form something of a cult, though it's not really the same thing. But even these, should they ever decide to cross over from fanaticism to full-blown zombie worship, would probably be given a modicum of tolerance (though probably not respect). Which makes me  wonder, when it comes to Christ's resurrection, why the spite and condescension? Why the willful malice?

Perhaps there's something more...

Consider this. If tomorrow we thawed and revived Walt Disney, cured his every sickness and human frailty, and set him back to sketching delightful little cartoon characters, then not only would this be accepted by the secular world; it would be hailed as the apex of scientific achievement, the climax of the human story. April 6 would ever after be remembered as the day our race conquered our own mortality.

If we say, however, that this has already been done by a person/spirit/force of infinitely greater intelligence and power than our own, then we can expect nothing less than ridicule and contempt. The truth is that it's not the notion of resurrection that many find incredible, even offensive. It's the source of that regeneration. To accept the resurrection of Christ, through the power of God, is to accept our own smallness and reliance on Another for our every breath of life. And it is to acknowledge that to this power we are all accountable.

This, I believe, is the true stone of stumbling for skeptics of resurrection. Not the possibility that the dead may have risen or may one day rise, but the distasteful notion that we are inadequate, incapable of saving ourselves, and not truly our own.

The Real Meaning of Easter

Stephen Swanson

Stephen Swanson brings you some pictures from his recent trip to Easter Central, Target.

Is there anything stronger than "WTF?" as an interrogative?

We've all known that Easter is not really a Christian holiday and, in some ways, never was.  However, I'm unsure of the Christian or Pagan importance of the Transformer, Spider-Man, and Spongebob "eggs" or the Batman play-set.

Good Friday.

Michelle Metcalf

In Cincinnati, it is supposed to be 85 degrees today. Record breaking temperatures for the first weekend in April in the Tri-state. The sun in my porch where I sit is warm. My dog has had no trouble finding a patch of sun to bathe in. Already, we have been to Starbucks and the dog park. The sun has made us want to get out of bed earlier to live a longer day, be outside in the open air. Already, before 9am I am in a pair of beat up shorts and a white tank top, flip flops and shades. Today is (a) Good Friday.

This morning, already, has been a good morning. It has been a morning of not wanting. A morning of not longing for sun, which, of late, has become my usual Cincinnati practice. Today has not been a morning of wearing my brown down coat to take the dog outside for her stroll. It has not been a morning of grey sky and wind and hair in my face. Today has been a morning of light, of leaves on the trees, of clover flowers pushing through a small corner lawn that suddenly needs to be mowed. It has been a morning of less aches and pains than those I went to bed with last night, a morning of a glass of cold water from the Brita pitcher in the fridge. It has been a morning of small, good things.

Looking around my new house, boxes everywhere, walls un-painted, the kitchen a mess, I am unshaken. And I don’t mind that my hooded sweatshirt is at my feet on the floor in our living room. I don’t mind that the kind size green quilt that I napped with last night is heaped in a ball on the floor just where I threw it off without putting it neatly away before bed. And the pillows on the couch are a mess. And the mail is stacked on the entry table. And my bags are still unpacked from Costa Rica. And the laundry: wet towels, smelly hiking shoes—none of it is done. But there is no hurry. How long since I have been present to my own life?

This morning, the pilgrims of our city will gather outside in the hot sun to take part in the Cincinnati tradition of praying the 84 steps at Holy Cross Immaculata church in Mt. Adams. They will pray the rosary together and walk one step at a time up the hill to mark their reverence of this Holy Day. I will mark this day too, in small steps, living my prayers instead.

*        *        *

Michelle Metcalf resides in Cincinnati, OH with her husband, Benn and her dog, Elsie. She is currently working on a collection of humorous essays about growing up in Midwestern Suburbia.

Liar, Liar, or Inspired?

Michael Dean Clark

This is the third of four entries on “being” a writer. The first can be found here and the second here.

True story: when I applied to graduate school, I was asked why I wanted to pursue a Ph.D. I said it was because I wanted to be a better liar. I got in and four years later I am about to be awarded that degree.

I am, I think understandably, conflicted about this. In essence, people will now refer to me as “Dr. Clark” (a term I think will still indicate respect because I will never be an HMO-funded health care provider) and a university has entrusted me with students to influence because I achieved a dubious goal. I improved my ability to deceive.

Sure, sure, you can parse words and say “it’s not lying, it’s fiction.” But the best fiction carries that one key caveat: people want to believe it. Or, as Malcolm Muggeridge put it, “People do not believe in lies because they have to, but because they want to.”

A note before I continue – I love the lies of fiction, when they point toward a truth worth exploring. Lies expose truth, much as “the shadow proves the sunshine.” But, within me is an existential dilemma. How does one lie ethically without crossing over into James Frey territory or worse, begin to enjoy the lies more than the truth they point to?

Some might call this classical conditioning. Lies are a slippery slope that lead from Thomas Jefferson’s “He who permits himself to tell a lie once, finds it much easier to do it a second and third time, till at length it becomes habitual” to Austin O’Malley’s “Those who think it is permissible to tell white lies soon grow color-blind” to (with apologies to Stephen Swanson) Adolph Hitler’s “Make the lie big, make it simple, keep saying it, and eventually they will believe it.”

Lies, as we’ve all experienced personally, are a cage full of horny rabbits.

How then can one be “possessed by the truth” and a writer of good fiction? Again, I return to the views of people more intelligent than me. Some, like A.A. Milne, point with humor to the work that goes into lies with purpose when he wrote “If one is to be called a liar, one may as well make an effort to deserve the name.” Emerson went the sublime route, saying “Truth is beautiful, without doubt; but so are lies.” Some, like Clare Boothe Luce, take the pragmatic view: “Lying increases the creative faculties, expands the ego and lessens the frictions of social contacts.” Plato used reverse psychology (before reverse or psychology were in vogue) “They deem him their worst enemy who tells them the truth.”

Here’s my thought – fictional lies have limitations in spiritual truth. When they tie into the “greater than me,” they cease to be lies and become reflections of the walls of our caves. The argument could be made that this is transubstantiation of a sort. Inventions become actualities. This, of course, demands that one believe there is truth external of one’s own experience, a concept some consider as dated as high-waisted jeans on men. But I tend to agree with Karl Barth’s idea that “Man can certainly keep on lying…but he cannot make truth falsehood. He can certainly rebel…but he can accomplish nothing which abolishes the choice of God.” And when the presence of discoverable truth combines with the desire to find it, the lies of fiction make sense.

Michael Dean Clark is an author of fiction and nonfiction and is in the final stages of earning a Ph.D. in Creative Writing at the University of Milwaukee-Wisconsin. His work is set primarily in his hometown of San Diego and has been known to include pimps in diapers, heroin-addicted pastors who suffer from OCD, and possibly the chupacabra.

Photo Haiku Wednesday 3.31.10

Michelle Pendergrass

Photo courtesy of Jaymi Spencer Photography. Directions:

1. Write a haiku inspired by the photo and post it in the comments.

For extra chances to win:

2. Follow @reliefjournal on Twitter

3. Follow @Quo Vadis on Twitter

4. Twitter @reliefjournal with your haiku and #PHW (Photo Haiku Wednesday)

* * *

The good people over at Quo Vadis have generously donated some prizes!!

The weekly winner will receive a Quo Vadis Habana Journal and a bottle of J. Herbin ink!!

Every week Relief will choose a random winner! So play along and tell your friends. See the information below for extra chances to win.

* * *

Winner will be announced via Twitter Thursday afternoons.

We can only ship to U.S. addresses right now.

You may only win once every three months, but you may play along every week for Twitter Super Bonus Points.

* * *

Would you like to have your photo featured on Photo Haiku Wednesday?

Email your photos to Michelle: photohaiku@reliefjournal.com

You'll get a photo credit link here on the main blog and you'll also be entered in the drawing for the Quo Vadis Habana journal and bottle of J. Herbin ink the week your photo appears on the blog!

Relief News Tuesday 3.30.2010

Ian David Philpot

Coming Soon...To Calvin!

As you heard from Michelle on Monday, we're all really excited about Calvin's Festival of Faith and Writing. We're going to have a special theme to our booth.  To give you a hint: the theme is directly related to the logo at the top of this page. :) We can't tell you every aspect about our booth quite yet because we don't want to spoil the fun, but it's going to be awesome! Register now and don't miss us!

Coming Soon...To Your Doorstep!

We have finally received a new shipment of issue 3.2! All of you who ordered issues will be receiving them soon and all new orders will be shipped after that. Click here to order one.

Issue 4.1 will also be available for order very soon! We will be opening pre-orders at a discounted price around the same time that we unveil the cover art. We are very excited about this issues as it will be the first under the new Editor-in-Chief, Christopher Fisher.

Does it matter if the president believes in Jesus?

Travis Griffith

Travis Griffith brings up a delicate topic that is sure to generate passionate response. We look forward to your thoughts!

Sometimes it's the little things that get me the most fired up.

While driving through the city on my way to a volunteer job where I work to advocate for children with speech delays, I saw a car with white writing plastered all over the windows.

My first thought was: 'Oh how cute.  A teenage girl is on her way to a state volleyball tournament and her friends scrawled good luck messages on her car.'

But no. As I got closer I realized the white writing belonged to an adult and the message was much more disturbing.

It said:

"America needs Jesus, not Obama."

And it was written on every window except the windshield. This raised my ire for a couple reasons.

First, I don't believe America needs Jesus. I believe some people in America do, but the country as a whole does not.

Second, to completely disrespect the president by saying his country doesn't need him is decidedly unAmerican. (Though the right to publicly state that feeling is quite American.)

The guy who wrote that phrase on his car is obviously a religious and Christian person. I wonder if he realizes this: God tells Christians in His Word that we are to pray for those He has placed in authority over us. When God gave that command in chapter 2 of I Timothy, he was not only speaking of Godly leaders but all leaders. Whether you like President Obama or not, Christians, I think, should believe he was put into power by God, and thus need to respect him.

Rather than denounce the president, why not convey a message that asks folks to pray for him?

The message on that car seems so simple and straightforward at first glance, but to me it sums up a lot of what I see wrong with Christianity today.

When exactly did the name Jesus become a term to fling around as a way to defend intolerance? I have not accepted Jesus as any kind of personal savior because I believe humanity has effective been ly taken away everything that had once so beautiful about the person Jesus was.

That's why I don't care whether or not our current president (or any future president) accepts Jesus as his or her personal savior or ever even attends church. It doesn't matter. I'd rather see presidents govern based on what they feel is best for the country, guided not by an archaic set of ignorant, intolerant beliefs but by a strong compassion and love for all humankind.

Isn't it possible that the real savior of America is not Jesus or the president, but the people who live here? When intolerance and fear are removed and replaced with love, America will move forward.

Until then we'll be stuck in the dark, trying to scare each other with handwritten messages on our cars.

Do you believe a President of the United States should accept Jesus?

Love... to all.

***

Travis Griffith, who left behind the corporate marketing world, choosing family and writing in lieu of “a comfortable life” financially, is a former atheist trying to define what leading a spiritual life really means. His children’s book, Your Father Forever, published in 2005 by Illumination Arts Publishing Company, Inc. captures only a fraction of his passion for fatherhood.

***

Note from the Web Editor: The thoughts presented within this blog post are those of the individual author and do not necessarily reflect the beliefs of the entire Relief staff. Though there may be some differences between the journal’s theology and that of the author, we believe that the questions this author raises about faith and patriotism are important.

Calvin Festival of Faith and Writing

Michelle Pendergrass

There is still time  to register for The Calvin Festival of Faith and Writing held at Calvin College in Grand Rapids, Michigan April 15th-17th.  This conference is only held every two years, so if you can make it, I highly suggest you get yourself there!

Relief and Diner editors will be on various panels this year!

We are also planning our extremely popular Relief Mixer held off site at a local pub or place of similar interest.  We are in the process of scouting and securing a location suitable for our crowd.  We'll relay the details as we get more information.

In the coming weeks we'll be talking about our presence at the conference as well as making the most of your time there.

We'd love to know if you plan on attending, so please leave us a comment!

One Story Walk-up

Chris Mikesell

It was December 20th and I was waiting for a flight at Dallas’ Love Field... If I were your usual high-quality literary writer penning your usual high-quality literary Relief post, I’d continue: December 20—41 years to the day since John Steinbeck died. Later that afternoon, winging west to LAX, I read a quote from Andre Dubus (in Novel Voices) that writing fiction doesn’t change the world, that “Cesar Chavez did more than six John Steinbecks could have done.” And I thought to myself how everything’s connected....

But I’m not your usual high-quality literary writer. (Blame Christopher Fisher for inviting me: he’s why you can’t have nice things.) So, instead, here’s the best I can give you: December 20—41 years to the day since I was born. My wife and son had given me an iPod Touch as a present and I was thumb-typing a list/article for the someday (please, God, soon) return of The Wittenburg Door:

“Ways to Reboot the Christmas Shoes Franchise”

  • The Christmas Hipwaders
  • The Christmas Flip-Flops
  • The Christmas Sensible Pumps
  • The Christmas Pegleg
  • The Christmas Soccer Cleats
  • The Christmas the guy in line behind the kid dials 911 instead of paying for the damn shoes and saves the mother’s life
  • The Christmas Mukluks
  • The Christmas Topsiders
  • The Christmas Birkenstocks
  • and so on...

The subject of dead moms and God returned a few days later. Van Hagar’s, errrr Van Halen’s “Right Now” had cycled through on my iPod, and I hunted down its video online. One of the signs appearing in the glorified Powerpoint presentation reads “Right now God is killing moms and dogs because He has to.” (Provocative verb, but substitute "calling home" or “gathering thereunto His bosom,”—or if you're Pat Robertson add “because they made a pact with the devil” to the end—and you've got much the same thing.) Thankfully, that was the last of dying moms on the trip.

But the signs and videos thing came up a couple more times. After “Right Now” I tracked down Bob Dylan’s “Subterranean Homesick Blues” (he flips cue cards with the lyrics throughout the video) and on Palindrome Day (01/02/2010) I checked out “Weird Al” Yankovic’s parody video, “Bob” (all the lyrics in the song/on the cue cards are palindromes: “Was it a car or a cat I saw?”). A day or so after that another Dylan pastiche appeared in a book I got from my folks (mom’s fine, by the way; good on shoes, too), The Stephen King Illustrated Companion. In one of the wax paper sleeves was “The 43rd Dream,” a poem King wrote as a teen, riffing on Dylan’s “115th Dream.”

Toward the end of my California Christmas my family took in Cannery Row. Yes, the Monterey Bay Aquarium is more responsible for its renaissance than any Steinbeck story, but I posed by his statue on the waterfront, nonetheless. Meanwhile, back in Texas, my pre-AP students were (allegedly) reading Steinbeck’s novella The Pearl. And we’ve come the long way round to the idea that “it’s all connected.” (Another “Right Now” slide reads “Right now oysters are being robbed of their sole possession” … hmmmm.)

In his book How to Read Literature Like a Professor, Thomas C. Foster says “There’s only one story … Whenever anyone puts pen to paper or hands to keyboard or fingers to lute string or quill to papyrus. Norse sagas, Samoan creation stories, Gravity’s Rainbow, The Tale of Genji, Hamlet, last year’s graduation speech ... On the Road and Road to Rio and ‘The Road not Taken.’ One story.” Pride and Prejudice and Zombies makes his point as well as anything, I suppose. And while Solomon wrote “there’s nothing new under the sun,” it’s true that there’s increasingly more “nothing new” under that sun, influencing, intersecting with all the “nothing new” yet to come. Steinbeck to Dubus for the smart set; Christmas Shoes, Sammy Hagar, “Weird Al,” and Steve King for the rest of us. (Dylan, maybe, bridging the gap.) All of it to all of us via this blog entry. This blog entry to your angry letters to the editor. And so it goes. Circle of Life. Hakuna Matata.

Honor those who’ve influenced you, good or bad. Make the most of the chapters to the story you write. You never know whose chapters they’ll intersect with down the road.

***

Chris Mikesell teaches sophomore English at a public school in Dallas, Texas. His short fiction has appeared in Coach's Midnight Diner 1 & 2; Dragons, Knights & Angels; and Ray Gun Revival. His haiku have appeared here at Relief on numerous occasions.

Why I Hate Nazis (Apart From the Obvious)

Stephen Swanson

This week Stephen Swanson lets out his supreme hatred of Nazis.  No, it doesn't have anything to do with his dislike of efficient extermination of whole peoples.   Nor is it a reaction against the Sieg Heil, in both the formal and informal forms.  It's more...so much more.

Reason 1: They are Everywhere.

I'm not the first observer to notice that Nazis and talk of Nazis are everywhere.  You can't kick a looted Luger without running into a video game, pundit, protest sign, movie, or documentary mentioning Nazis.

This is too much!  I know that in the 1980s, we had the brief flirtation with drug dealers as the bad guys, but that petered out despite the attempt of Miami Vice (2006) to bring it back hard on board numerous "go-fast" boats.

The Nazi's just won't die!  I've spent hours sniping them  in Medal of Honor and before that in Castle Wolfenstein.  They just coming and coming.

Reason #2:  They've Taken Over

No, I know that "we" won, and even in today's divisive political arena, most people think Nazi's are bad.  However, right there is the problem!

"Nazi=Bad" has become "Bad=Nazi".  Anyone who was awake in formal logic class (Oh right, NCLB doesn't really emphasize logic and many colleges are decimating their philosophy departments)...umm, anyway, people should realize that just because B follows A does not mean that A follows B.

And for these people, I have one message:

Stop Referring to Everyone You Don't Like as a Nazi!

Don't compare them to Nazis, unless they are actually similar to the National Socialism of the 1920s-40s.

Hey, you, Teapartier, Obama is not like Hitler.  He's just not.  Hitler came to power using the rhetoric of fear of foreigners and difference to correct the post WWI economic crisis in Germany.

Hey, student writing a paper for my class, anyone who commits genocide is not a Nazi.  They might be bad people that Americans should speak out against and maybe use force to contain and destroy, but you can't call everyone a Nazi.

Hey, liberal protester in Ottawa, Ann Coulter is not a Nazi.  Yes, she does seem to fit the ideal of beauty.  She is Wagnerian in many ways.  Yes, she does look a bit like Leni Riefenstahl.  Yes, she does use race and class as divisive methods to build up a strong nationalist base bent on eliminating the "Other" usually by violence or force.

Ok, you might get away with that one.

The Point:  Nazis are Destroying Our Language from Beyond the Grave

The English language is a pain in the tuckus, but as this sentence implies, it's strength and vitality comes from its ability to incorporate and accept a wide range of words and meanings from other languages.  This provides an sense of subtlety and nuance that comes with the blending of language.

In recent years, I've noticed that my students have no sense of nuance.  They reach for the brightest, boldest, and clearest example within reach, which perhaps explains the Googling of everything.  Because of this, we, collectively are losing our ability to draw from a diversity of evil and suffering in the history of the world.

There are tons of bad people in our own history and from around the world.  Why are we outsourcing to Germany and not friendly, efficient, welcoming Germany of National Lampoon's European Vacation (You know what I mean) or even of today.  We go with the Germans of the 1930s and 40s?!  We can do better when creating analogies and effigies.

Sadly, I guess the seeds of over generalization of evil were already there at our beginning.  Even then, the "patriots" defined a "tyrant" as their rightful monarch who wanted them to pay taxes like every other colony in the British Empire.

Maybe I'm naive, but we're Americans!  Our country was founded by people who stuffed straw in sacks, put a crown on it, and called it "George" as they set it alight.  Now, we let people in the Middle East doing all of our flag burning and effigies.

I'm better than that!   You're better than that! We're better than that!

***

Stephen Swanson teaches as an assistant professor of English at McLennan Community College. Aside from guiding students through the pitfalls of college writing and literature, he spends most of his time trying to remain  aware of popular culture, cooking, and enjoying time with his wife and son. He holds degrees in Communications (Calvin College), Film Studies (Central Michigan University), and Media and American Culture Studies (Bowling Green State University. In addition to editing a collection, Battleground States: Scholarship in Contemporary America, he has forthcoming projects on Johnny Cash and depiction of ethics in detective narratives.

Photo Haiku Wednesday 3.24.10

Michelle Pendergrass

Photo courtesy of Michelle Pendergrass. Directions:

1. Write a haiku inspired by the photo and post it in the comments.

For extra chances to win:

2. Follow @reliefjournal on Twitter

3. Follow @Quo Vadis on Twitter

4. Twitter @reliefjournal with your haiku and #PHW (Photo Haiku Wednesday)

* * *

The good people over at Quo Vadis have generously donated some prizes!!

The weekly winner will receive a Quo Vadis Habana Journal and a bottle of J. Herbin ink!!

Every week Relief will choose a random winner! So play along and tell your friends. See the information below for extra chances to win.

* * *

Winner will be announced via Twitter Thursday afternoons.

We can only ship to U.S. addresses right now.

You may only win once every three months, but you may play along every week for Twitter Super Bonus Points.

* * *

Would you like to have your photo featured on Photo Haiku Wednesday?

Email your photos to Michelle: photohaiku@reliefjournal.com

You'll get a photo credit link here on the main blog and you'll also be entered in the drawing for the Quo Vadis Habana journal and bottle of J. Herbin ink the week your photo appears on the blog!

Relief News Tuesday 3.23.2010

Ian David Philpot

Review of 3.2

"Karen" at GoodReads.com wrote a review of Relief Issue 3.2 (find it HERE).  We appreciate when people write reviews of our journal, so if you have written one or want to write one, let us know so we can feature it in RNT.

JunkLit.com

A new online journal has arrived on the scene under the name: "Junk, a Literary Fix."  If you head on over to JunkLit.com, you can see the start of a brand new creative nonfiction journal headed by Tim Elhajj.  While Junk is not proclaiming itself as a faith based journal, they are open to CNF from the faith perspective.

Junk is still gearing up before it's completely launched, but in the meantime they're doing their best to build community over at http://junklitblog.wordpress.com/, so read more about what Junk is/is looking to be there..

Calvin in < 1 Month

We're getting closer and closer to Calvin's Festival of Faith and Writing, and we are all so excited for it!  If you haven't signed up yet, hurry!  If you are signed up, we can't wait to see you there either during the Relief panel or at our booth.

Popular Culture Parenting: A Father's Proudest Day

Stephen Swanson

Prompted by Brad's excellent essay on The Office Nativity, Stephen Swanson reflects on a recent way that popular culture has adjusted his expectations of fatherhood and the potential for father/son relations.

The Greatest Parenting Tool Ever

When my wife and I were expecting our first child, Henry (now 2), we furiously searched for advice on the "must-haves" for parenting in the beginning of the new millennium.  Many friends had great advice, like "Don't read 'What to Expect...' if you are prone to worry about unlikely things."  Other sources, like the explosion of mommy-blogs and podcasts had great suggestions.  We turned to colleagues who had recently became parents for valuable hand-me-downs and suggestions, but the greatest piece of advice was this, "Get a DVR.  Just do it."

I had scoffed at the TiVo craze.  I had laughed alone as comics made fun of the mascot and the schedules and the funny noises and suggestions that it made, but the DVR has saved our lives.  Not only can we tape all of our shows to watch when we want, but just like the commercial shows, when my son wants/needs attention, I can just pause the TV and read a story.  I had completely passed that off as drivel created to make customers think that this, but it works.  The most important use has been to always have a selection of beloved kids shows and movies on hand when needed. (There was a whole month where he raptly viewed the Pixar Shorts Collection, and you have no idea of the eternity that it can take to switch the TV to DVD, open the DVD, put in the DVD, wait through the intros, select "play".)

"Oh No!":  Things that I did not know at 2.

Because of the DVR, Henry has little knowledge of commercials.  Stories are cohesive and continuous, within his daily allotment of TV, and he seriously struggles when we watch live TV or Hulu.  Who are these women in white rooms who rub thing hands on table-tops?  The commercial comes on, and "Oh NOOOO! Where'd it go?"  Because of his online viewing, he also is familiar with "'uffering" and has become adept at putting his finger on the touch-pad when the screen goes dim.

The Real Point of Pride

One word: "'impsons".  Yup, he loves it.  It beats Thomas, Yo Gabba Gabba, and Backyardigans out of the water.  All he needs to hear is the "doo DOO dee Doo" of Danny Elfman's opening score, and he will run from any part of the house, and while we fast-forward through the Itchy and Scratchy cartoons, Henry finds the familiarity of the characters and objects in the show extremely exciting.  People "walk", have "books", ride "bikes", and "animals" abound throughout every episode.

Henry was always a hesitant speaker and signer, but he happily describe the events of the latest "Simpsons": laughing, kissing "oh no"-ing, and, yes, even "Ha-ha"ing along with Groening's creations.  When the episode ends, he speaks and signs, "Dada...Mama, please more 'impsons.  Please."

As I tell my students, the power of visual narratives at their best is that they allow for both immediate identification and for depth and complexity as viewers engage with layers and layers of connectivity and meaning.  The best of popular culture, to which I believe the Simpsons has won a predominant place, holds the power to challenge and grow with us.  My pride is not just in his good taste that eschews the frustrating same-ness of children's television for clever and subtle character and plot, but because Henry not only recognizes images but also cheers, "He did it!", when Homer succeeds in stopping Bart from bringing down the school with the old Springfield Subway and gives him a hug, and how could any father not have their heart touched by that, least of a popular culture scholar.

***

Stephen Swanson teaches as an assistant professor of English at McLennan Community College. Aside from guiding students through the pitfalls of college writing and literature, he spends most of his time trying to remain  aware of popular culture, cooking, and enjoying time with his wife and son. He holds degrees in Communications (Calvin College), Film Studies (Central Michigan University), and Media and American Culture Studies (Bowling Green State University. In addition to editing a collection, Battleground States: Scholarship in Contemporary America, he has forthcoming projects on Johnny Cash and depiction of ethics in detective narratives.

Which One Is Me?

Michael Dean Clark

This is the second of four entries on "being" a writer. The first can be found here.

I had a job interview recently in San Diego and while I was there I got a chance to have dinner with my sister Jeanette. She’s in the middle of reading my first novel length manuscript and spent a good ten minutes before the food came trying to confirm which real people from our past were basis for my characters.

Tommy is totally Rob Machado.

Nope.

Well, Craig is you, isn’t he?

No, I see myself more as Bibs. (I should note that most people who’ve read the book think Craig is my alter, so they may be right. However, it really throws them when I say I identify more with Bibs, a deacon’s daughter turned prostitute and right-hand woman of the local pimp/drug dealer Marley Bob).

Well, what about BT?

She got him right, sort of. By the end of the conversation, I realized I really like this game. As a writer, I freely admit I crib the lives of the people around me. If you know me, I’m probably going to use a part of you. Writers don’t invent, we compile and alter and then graft what we’ve taken onto the pieces of ourselves we put into every person we “create.” We mix and match like the socks we don’t think people will ever see us wearing.

But the conversation of “who” my characters are is really interesting to me because I generally don’t know who I’ve composited until it gets pointed out to me. I think that may be one of the reasons I choose to do something as frustrating and low-paying as write fiction without wizards or vampires. I like the way something so personal only makes sense to me when other people explain its facets as they see them.

I even like when people get my stories “wrong” because explaining my intentions has a similar effect. I guess I could never be Emily Dickinson. I can’t write for myself and my four walls. I need feedback earlier than a posthumous release would allow.

Michael Dean Clark is an author of fiction and nonfiction and is in the final stages of earning a Ph.D. in Creative Writing at the University of Milwaukee-Wisconsin. His work is set primarily in his hometown of San Diego and has been known to include pimps in diapers, heroin-addicted pastors who suffer from OCD, and possibly the chupacabra.

Photo Haiku Wednesday 3.17.10

Michelle Pendergrass

Photo courtesy of Michelle Pendergrass. Directions:

1. Write a haiku inspired by the photo and post it in the comments.

For extra chances to win:

2. Follow @reliefjournal on Twitter

3. Follow @Quo Vadis on Twitter

4. Twitter @reliefjournal with your haiku and #PHW (Photo Haiku Wednesday)

* * *

The good people over at Quo Vadis have generously donated some prizes!!

The weekly winner will receive a Quo Vadis Habana Journal and a bottle of J. Herbin ink!!

Every week Relief will choose a random winner! So play along and tell your friends. See the information below for extra chances to win.

* * *

Winner will be announced via Twitter Thursday afternoons.

We can only ship to U.S. addresses right now.

You may only win once every three months, but you may play along every week for Twitter Super Bonus Points.

* * *

Would you like to have your photo featured on Photo Haiku Wednesday?

Email your photos to Michelle: photohaiku@reliefjournal.com

You'll get a photo credit link here on the main blog and you'll also be entered in the drawing for the Quo Vadis Habana journal and bottle of J. Herbin ink the week your photo appears on the blog!