Sure, the Story Seems Simple . . .
Brad Fruhauff
I wonder. Do the dead touch us back when we touch their relics?
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I wonder. Do the dead touch us back when we touch their relics?
Read MoreWe're proud to announce the authors in fiction and creative nonfiction who will be appearing in issue 6.1. We ship soon, so get yours at the presale price now!
Read MoreRay Bradbury died on June 5 after a lengthy illness. We at Relief try not to be foolishly nostalgic, so we are not "devastated" by this news, as some people put it: the man lived a vibrant, active life and had few regrets. The best way to mark his death is to pay our respects to his gift to us. Following are reflections from three of us at Relief and The Midnight Diner.
Read MoreWe're proud to present this issue's cover, featuring art by Sandra Bowden and designed by Emily Schmidt. We're also opening pre-sales for 6.1 - order now for 25% off our normal price. Issues will ship in mid-June.
Read MoreWhile at Festival 2012 I sent my interns around to shoot a little video. Here are some thoughts from Chris Smith of ERB.
Read MoreA few thoughts from Dave Harrity of Antler at Festival 2012.
Read MoreIn retrospect, the thing that I found unique about the festival was that it was essentially the hub of Christian culture. While there are other conferences around the world that also focus on Christianity, with dozens of speakers sharing God’s truth to audiences of thousands of people, it is at Calvin that these ideas all begin to emerge.
Read MoreWeb Editor Ian David Philpot shares his experience at the Festival of Faith and Writing.
Last weekend I attended Calvin College's Festival of Faith and Writing in Grand Rapids, MI. This was my second time at the biannual conference. Both times I've attended I've been representing Relief, of which I am the web editor. This means that I spent a good amount of the conference at the Relief table in the exhibitor hall telling people about the journal and meeting people who we have published.
The sessions I saw were incredible! This is in stark contrast to my experience at AWP. Though I only went to four sessions (all on Friday), I couldn't have been happier with them. The first session was called "The Word Needs Flesh: Sex and Faith in Contemporary Writing" with John Estes and Amy Frykholm (a Relief published author). The second session was "From Page to the Screen: Adapting Novels and Short Stories for Film" with Scott Teems. The third was an interview of one of my favorite authors: Craig Thompson. The fourth and final session was Craig going through his graphic novel writing process. I ended the day at Calvin's art gallery where some of Craig's drawings were on display.
Here are some of the snippets that I took away from the sessions:
I also had the opportunity to meet some new people who were very kind, entertaining, and nice from Antler, Rock & Sling (here's a picture a the awesome banner over their table), Word Farm, and many more. I also had a great time meeting some of the Relief staff I hadn't met before, like Jake Slaughter, Lyle Enright, Andy Koenig, and Tania Runyan. Our evening shenanigans were the best I've ever had at a conference, and I was sad that they had to come to an end. Great people.
This blog post originally appeared on Ian's blog. Ian writes fiction, poetry, and music. He prefers tea to coffee, Coca Cola to Pepsi, and only eats yellow cake.
In our daily lives it may be rare for us to find people excited about the same things we are. Our Christian friends may not care about our art, and our artistic friends may not care about our faith. It was different at this festival, though. I felt a strong connection with everyone I interacted with.
Read MoreWe had a spirit connection: a connection in Christ and a connection through our creative passions. As Dave Harrity, director of the Antler writing and teaching community wrote in a post-conference email, "Isn't it wild what the incarnation has done to our relationships? Instant friends with like-minded people."
Read MoreWe at Relief look forward to this event as one of the best times to be had in the world of Christian literary culture.
Read MoreThompson is a highly skilled artist, and his autobiographical narrative feels impressively honest and personal. The story is primarily concerned with his first experiences of falling in love while in high school and his life growing up in a Christian church.
Read MoreUltimately, I think that this movie has the potential to be a means through which we can begin some very important conversations with Christian and secular friends who may see it. I like that the film shows that Christians aren’t perfect, and that any attempt on our part to pretend to be is damaging to both us and others.
Read MoreHow have we reached a pass where a seventeen-year-old must abandon his dreams before even getting started? What do we say to kids who get starry-eyed around librarians and radio announcers, to education majors packing their bags for their parents’ basements as even tenured elementary teachers lose their jobs?
Read MoreFor twenty years, In Flames have been consistently writing songs that lead their fans to ask questions about bigger things, and to look outside themselves for the answers. None of the members make any statement of faith, but the sense of social responsibility and the need for rescue and reconciliation that comes through in their lyrics is unmissable.
Read MoreThough our submission period is technically over, Relief is still willing to accept your b&w images and graphic narratives - but we can't wait a whole lot longer. Submit by April 1st for the best chance of getting into our May issue.
Read MoreThe Judge is scary because he makes a lot of sense. Given the darkness of the world we live in, McCarthy’s villains are particularly frightening because they are so hard to disagree with. Evil, as portrayed in McCarthy, is not something to ignore. Yet, as Cosper writes, there is always a glimmer of hope.
Read MoreSince this blog will publish on my birthday, I decided to make some wishes with it. Yes, I am aware that wishes made public supposedly won't come true. And yet, wishes kept captive in the inner-recesses of my addled mind go nowhere anyway, so I feel safe in putting a few out there. And yes, I am also aware that making my wish list public might be taken as a tad self-serving. That's because it is. And I'm ok with that.
Wish #1 This year, my 38th if you must know, I really hope to be found by a story that makes me feel so inferior I am compelled to write it. This is not because I have an inflated opinion of myself and my abilities. Rather, I want desperately to be stunned into the process of telling an amazing story that, for some reason or other, has not been told. I am convinced that it is not an artistic duty that drives story as much as it is the incumbent need to bear witness to the invisible.
Wish #2 Re: Wish #1 - Because so many stories worth telling get ignored for ones we've heard too many times before, my second wish is that anyone who ends up reading this blog will also be confronted with a story they must tell. If it happens, I'm hoping the candle I blew out with your name on it compels you to find the keyboard rather than think "Someone should really write about that."
Wish #3 Re: Wish #1&2 - Because the desire to write a story is the response we SHOULD automatically heed, my third wish is that all of us who commit these stories to prose actually seek their publication so we are not the only ones who get the opportunity to experience them. Instead, I wish for all of these stories to eventually be submitted to various publications (and no, this is not me shoe-horning in two wishes, Jafar). If you're not sure where to send the story you write, spend some time here.
Wish #4 And for my final wish, a little selfishness on my part (as if taking one more wish than the customary three is not selfish enough). I wish that all our stories find homes, bear witness, and inspire others to stand in the path of stories that will force them, in turn, to be witnesses themselves.
So don't let me down people. It is my birthday and all.
Michael Dean Clark is the fiction editor at Relief and an assistant professor of writing at Point Loma Nazarene University in San Diego, California. When he's not writing or parenting via shame and sarcasm, Clark is waiting (im)patiently for the return of Psych, and you know that’s right.
“For a few immortals to live, many people must die” - It’s a mantra that gets tossed around a lot in this film, and our Christ-given sense of justice should cringe accordingly. Who has that right, exactly? “No one,” the film answers, “And we’re going to fix it!” ...By enlisting the help of an impulsive socialite and holding up time banks at gunpoint and redistributing those eons to preachers, children and the downtrodden, apparently.
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