We all remember the Greek myth, the Fall of Icarus, in which Daedalus the inventor crafted two sets of wings out of beeswax and bird feathers so that he and his son, Icarus, could escape the labyrinth where the hideous Minotaur lurked. In the story’s tragic climax, Icarus’s flimsy wings melt and the impetuous kid plunges to his death in the Aegean Sea because he disregarded his father’s cautions not to fly too near the sun. What to say? It was Daedalus’s fault in the first place, for designing a labyrinth so ingenious that even he couldn’t figure out how to get out of it.
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“How could protestors claim to be true to the Bible, Jesus and the Holy Spirit yet violate and ignore the Bible’s, Jesus’ and the Spirit’s call to unity and concord.”
Recently I’ve been reading a smallish but most assuredly meaty book on Erasmus. It’s timely – quite wise people generally are always that – and it has me thinking about the trouble of protest and criticism and resulting schisms. And how bad a schism is if it happens.
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On November 30th, I departed Ohio with a group of 20 others for the island of Puerto Rico. It wasn’t a place I expected to find myself. I’m a medical student and in the middle of interview season for residency, which is a process that has been consuming most of my thoughts and energy for the past several months. On a Sunday morning about a month prior, my pastor announced the trip and asked for volunteers to go, and I was immediately weighted with the need to participate.
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We followed Frodo and Sam as they traveled to the depths of Mordor, treading “through shadows to the edge of night.” We saw them persevere through battles with barrow-wights, orcs, Nazgul, and sometimes with the dark side of those who went with them to guard and guide them. Throughout the trials of their journey to Mount Doom, they showed us a paradox that balanced on the edge of a knife: not giving up looks a whole lot like giving up.
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Particle physicist Brian Cox claims that actual time travel is now pretty much a sure thing. To simplify, it seems all we have to do is tinker a bit with Einstein’s General Theory of Relativity and it’s a relative cinch to play time forward. The past is a different story; apparently the theory doesn’t work so well in reverse, which implies you can’t journey back to your senior prom and be even cooler than you already were that night.
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"Affliction is a treasure, and scarce any man hath enough of it." - John Donne
John Donne’s epigraph sounds like satire. You can almost hear in the Renaissance poet’s words a postmodern ironic laugh. Does he really mean to equate affliction with treasure?
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Eliot said the truth is that the end's in our beginning. A hundred years before he said so, a handful of paragraphs into Dickens' most enduring Christmas story, the narrator plants a seed that holds the whole of Dickens's book. Scrooge, it's said, is "solitary as an oyster." Time's sand famously intrudes. By stave two, Scrooge is undergoing "the strangest agitation." By stave five, The End of It, the pearl is made complete.
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In Aids to Reflection, Coleridge often throws in the odd Latin word or phrase. Mostly, he offers an accessible and useful definition. Sometimes not though, and I like to be sure I am catching everything etymologically. One term that intrigued me especially was lene clinamen, so I did a looking myself.
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Silence is complicity, I realize that. Sometimes, however, as a white man, silence is all you feel you can manage. (I don’t mean to use the language of management, it just seems to happen; and by “you,” the presumptive collective, I mean “I”). Silence, I tell myself, is better than __________. Better than “I don’t know” or “I’m sorry,” both lines containing politics: “I.” Maybe “I am the problem,” but even that—.
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My father died on a cold gloomy Advent day like this; well, this day exactly, senior year.
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Conventional wisdom suggests that reading to your children benefits them in myriad ways: it stimulates language and learning centers of the brain, creates a bond between parents and children, and emphasizes the value of books and reading. I recently learned that this practice is beneficial from birth, even before the infant can truly discriminate sounds. Further, it doesn't matter so much what you read, because just the act of reading aloud works on the areas of bonding and stimulates brain development. Given this, I made an unconventional choice while reading to my three-week old son, choosing portions of Wendell Berry and the Given Life, the recent book by Ragan Sutterfield. Choosing to read aloud forced me, as one might expect, to go a little slower, but I'm not sure that Berry (or Sutterfield) would recommend anything less.
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Give me this one warm, sappy, Thomas Kinkade kind of day; one moment of respite from the bombardment of strident media voices that blast endlessly about everything that’s apparently wrong with this country, and instead, let me ponder the outdated notion that there might be something right with it. Let me relish the unassuming arrival and the fragrant, cinnamon-scented lingering of this very special American day, and do it without guilt. Give me Thanksgiving Day.
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When Walt Whitman sauntered through the streets of New York City, enjoying a conversation and drink at Pfaff’s, talking to omnibus drivers on Broadway, or attending an opera at the Park Theater, the sights, sounds, and multitude of experiences found expression in his collection of poems, Leaves of Grass. He published the first edition in 1855 with his own money and set much of the type himself at the print shop of some friends. To order the words of its poems, he chose letters from two wooden cases, one above the other. This process of typesetting gives us the words lowercase and uppercase letters, more formally known as minuscule and majuscule letters.
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This is neither ghost story nor a tale of suspense: it is a bit of writing about a bird teaching me insights that I should have learned a long while ago.
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Joan Didion famously wrote: “It’s easy to see the beginnings of things, and harder to see the ends,” but I don’t know. As I waded through my divorce, all I saw was End End End. Myopia is one of suffering’s dirtiest tricks, temporarily stripping us of our ability to imagine a future.
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“I’m gonna tell you plain, you’re doing a mighty foolish thing, a risky thing, that’s what.”
— Rachel Lynde
I deliberated for a few weeks about watching Anne with an E. I’m usually disappointed with the 2-dimensional feel of most adaptations. I enjoyed reading the series so much, I was reluctant to watch something that would spoil the essence of Anne that had me pulling each book off the bookstore shelves as eagerly as any eleven-year old with a story crush. Only, I was in my 30’s when I first read the series. Anne’s enthusiasm was irresistible. Adaptations miss the essence of character that books uniquely develop. What stayed with me, years after I read the books, was Anne’s irrepressible love of life. I wasn’t prepared to have those memories forever ruined. But on the off chance that I’d find something more, I plunged in.
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I have been an avid fan of G. K Chesterton for a number of years. I have read numerous biographies, perused through his essays, novels, short stories, and poems, and found them all bright and useful. I had no complaints with the biographies—until now. Enter Nancy Carpentier Brown’s The Woman Who Was Chesterton (2015). Suddenly, I realized that my knowledge of Chesterton was lacking, and in a big way: I didn’t know much about his wife, Frances.
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Icons are created for the sole purpose of offering access, through the gate of the visible, to the mystery of the invisible.
—Henri Nouwen, Behold the Beauty of the Lord: Praying with Icons
In his book of meditations on the icons of 15th-century Russian artist Andrei Rublev's, theologian Henri Nouwen says this about the iconographer’s famous “Christ the Redeemer:”
When I first saw… I had the distinct sense that the face of Christ appears in the midst of great chaos. A sad but beautiful face looks at us through the ruins of the world.
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You are frightened
when you first realize something
is gone, when the strings that hold now
to then are snapped, leaving you
somewhere above ground with nowhere to land,
nothing to hold onto.
—James Langlas
From my desk in the laundry room, I can watch the sunset as it stretches across the sky toward my north-facing door. Each sunset is the waning of a day, just one of the repeated patterns of loss in our lives. Loss is a near constant companion to us all. Even in a newborn’s first moments he begins to lose time. From then on, loss shadows us. The turtle dies, whose tiny movements we watched from above his plastic island and tap-water bay; the bird we rescued from a parking lot never unfolds his wings again; we lose our first grandparent; and one day we walk out the door of our childhood home into the beckoning world.
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“Let everything happen to you: beauty and terror. / Just keep going. No feeling is final.”
—Rainer Maria Rilke, Rilke's Book of Hours, translated by Joanna Macy and Anita Barrows
I administer these words to my body like a balm as I heave and weave, clambering up mountains, hiking parts of the Appalachian Trail, the Rockies, the Adirondack High Peaks.
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